Kafka’s The Metamorphosis

M all literary critics were both awed and puzzled with Franz Kafkas brilliantly written yet absurd, and often, grossly surreal form of writing. Die Verwandlung or The transfiguration is Kafkas longest work, almost resembling a novel, and is also ace of the most acclaimed. From the drool of Gregor, who woke up one morning to find himself change into an insect (beetle), the readers can slowly see the exploration of an individuals existence and the pain he experiences due to physical isolation and some other peoples indifference.Using a purely psychological outlook, it is easy to contemplate The transfiguration as a mirror of Kafkas own demonsfor all artist is said to impart a portion of his self into his works. Thus, The transfiguration may be Kafkas own struggle with his past and present, a personal process that gradually made its way to the authors conscious writings and developed into a nightmarish plot slightly the life of Gregor Samza who curiously transmuted into a p hysically hideous creature. This is why Kafka stands to forgather the empathy and compassion of viewers when the story is told from the standpoint of Gregor.First, Kafka is a struggling writer early on in his life. He lived his life in delirious dependence on his parents. There were mixed feelings of love and hate and though he longed to marry, he considered sex as dirty. By choosing Gregor as the of import character who experiences the transformation, he elicits the empathy of readers even as he performs a lackluster life.(Franz Kafka. 1883-1924). In the story, Gregor Samza is the pillar that supports his family. He is a fairly successful sales kindity and earns complete to pay off his fathers debt and bring food on the table. He is the one who contacts hard for the familys upkeep.When the tragedy happens to him and not to any member of the family, hence, the repercussions are greater. The pillar of their family is suddenly gone and they cast off to strive to go close to their daily lives without his help. In fact, they have to bear the nucleus of seeing a horrible creature in their house and wherefore to think that the creature is Gregor, back up to pretending that their lives are normal, nevertheless.Second, Kafka had no determination of publishing any of his works. He actually wanted it destroyed. It was his friend goo Brod who pursued its publication. Thus, Kafka, actually had all the liberty to create Gregor as the object of all his frustrations and dependency feelings. He gained all the outlet to release these emotions and then destroy it in the end. It gave a vicarious feeling of relief to him. (Franz Kafka. 1883-1924).Lastly, Kafka felt up a certain man resembling of weakness despite the rebellion he examineed. Creating Gregor as the brunt of all his impotence gave an apt target for the same kind of impotence that Gregor had to be imbued with. .(Franz Kafka. 1883-1924).We find reasons for Kafkas way of telling the story because Kafk a never worked as a traveling salesman nor even experienced performing as a primary financier for his family. Yet a commensurateness can be seen between the two men, both before and afterward Gregors transformation. Gregor knows his fathers ruthless temper, and with respect for the old man intermingles fear. There are scenes in the story where the older Samsa demonstrates this merciless emplacement towards his son because of the latters repugnant appearance.Mr. Samsa cruelly shoves Gregor into his room utilize a walking cane, and during a stressful encounter, pelts him with apples wherein an apple lodges into his insect back and begins to rot (Kafka 37-38). Nevertheless, it was through Gregor that Kafka was able to show how goodness permeates in everyone, plainly only when instances are happy and perfect. When things turn to worst, individuals resort to a deal strategy that alienates the ugly and the useless.Putting Gregor as the member of the family that is transformed into a n insect gives us a glimpse of how Kafka may have felt at quantify in his life. Apart from the refined and healthy appearance, Kafka was depressed most of the time. It was cognise that he suffered from migraine, constipation, and boils, which are all products of pent-up stress and unhealthy emotions car park to those with troubled pasts (Franz Kafka).No wonder that the bizarre dominated his form of expression, probably as a form of a release from the rigid normality that imprisons individuals into normalness. In fact, there is no other way of invoking from the readers such strong feelings akin to the emotions of the writer than by using frightful and graphic images resembling mans outlandish nightmares. Then again, Kafka never wanted some of his works create for the entire world to read. Writing is sacred for Kafka, and a refuge from a seemingly menacing and indifferent world (Franz Kafka. Books and Writers).Gregors transformation into a beetle is parallel to Kafkas acquiring of tuberculosis. The physical degradation federal agency the collapse of a persons once important emplacement and the revulsion of others. At first, loved ones react with grief whilst trying to be considerate to the afflicted one. In the long run, however, those with debilitating weaknesses are before long scorned. This long-time fear of being weak and being segregated translated into writing, while Kafka essay his best to look normal even when recuperating.Kafkas tuberculosis purportedly affected his writings in such a way that his stories show fear of physical and mental collapse, which was of course also seen in The Metamorphosis (Franz Kafka). Further, the nightmarish plots pertain to dehumanization as exemplified with Samsas metamorphosis into an insect. notwithstanding more frightening is the effect of this dehumanization, wherein everything beautiful, even Gretes kind-heartedness, comes to its fearful end.For some readers, The Metamorphosis is allegorical. Reading the sto ry makes one constantly hope for a totally different conclusion, or if not, for some figurative message private behind the lines. Yet what happened in the story is totally literal and plainspoken Gregor died as a beetle, his death comes silently in the night. It is devoid of any melodrama or of any dramatic revelations, so that the whole meaning or essence of the story is left for the readers to figure out. Kafkas literature, The Metamorphosis included, have since served as windows into the late writers own life and intelligence his experiences, fears and tribulations. His works are full of the complexities that are deemed as representative of the human existence, and most importantly, complexities that endlessly haunted the author until his end.Kafka stands to be redeemed of his supposedly ordinary existence, even if temporary, in the way he depicted Gregor. solely the angst that Kafka experienced in his life poured out on Gregor who had to bear the brunt of his disappointments . He made Gregor useless by transforming him into a hideous insect in order to assuage his own uselessness. It had to be Gregor because he was the breadwinner. When Gregor dies in the end, the tinct is great because as Kafka writes it, that there is a heavy weight move from the spirit of the family and their mourning is short.The story ends with the whole family driving into the countryside and their parents thoughts wondering about how to find a husband for Grete. There is a great ruthfulness in the way Kafka decides to end his story because Gregor is not missed at all, but instead, his parents just try to find ways of looking for a possible husband for Gretea replacement for Gregor who was their breadwinner. In the final analysis, Kafka succeeds in getting the sympathy of readers as he wove his story until Gregors death.Works CitedKafka, Franz. Appelbaum, Stanley (trans.). The Metamorphosis and Other Stories. New York Dover. 1996.Franz Kafka. In Wikipedia, The Free Encyclopedia . 7 Dec 2006. Retrieved Feb. 1, 2007 athttps//en.wikipedia.org/w/index.php?title=Franz_Kafka&oldid=92749510Franz Kafka. Books and Writers. 2002. Retrieved Feb. 1, 2007 atFranz Kafka. (1883-1924). Retrieved Feb. 1, 2007 athttp//www.levity.com/corduroy/kafka.htm